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EntertainmentFeaturedFilmsOpinion

Review: “A Magnificent Life’s” flat narrative is saved by beautiful animation

by Kyrie Gneiting March 26, 2026
by Kyrie Gneiting March 26, 2026 5 minutes read
53

A scene from A MAGNIFICENT LIFE.
© 2025 What the Prod – Mediawan Kids & Family Cinéma – Bidibul Productions – Walking the Dog. Courtesy of Sony Pictures Classics.

“A Magnificent Life” is a French animated film detailing the life and work of Marcel Pagnol, a highly acclaimed French writer and filmmaker. This movie is, at its core, a biopic. And, unfortunately, it doesn’t contain a terribly exciting narrative. It’s a clear love letter to Pagnol and would probably be better received by those familiar with him and his work, and I confess that I’m not. It’s rather slow to start and doesn’t really pick up until the final 20 minutes or so. There’s no doubt that Pagnol was an acclaimed writer and an influential filmmaker, but that doesn’t necessarily make for a compelling story.

The film premiered at the Cannes Film Festival in the summer of 2025, released theatrically in France in October, and has now made its way to the states. It is directed and written by Sylvain Chomet and adapted from Pagnol’s own memoirs. The film opens as an aging Pagnol is tasked with writing said memoirs before his fading memory completely fails him. As he sits to write, an apparition of his younger self appears and together, the two reflect on his experiences and accomplishments.

With international films, I usually prefer to see them in their original language. With “A Magnificent Life” getting its own release in the United States, it received an English dub. I admit that I did find the dubbing slightly distracting. The voice cast is led by Tom Hiddleston, who gives a solid vocal performance, as does the rest of the cast. But the movie is set in France and yet almost every single character spoke with a British accent. There is a German character who has a German accent, so I’m a little lost as to why the French characters all appear to be British. It’s not an egregious issue, but an issue, nonetheless.

Despite the accent inconsistencies, the hand-drawn animation assisted the film with its somewhat dull storyline. I have to say that I really enjoyed watching this! It’s a little slow-moving at times, but the visuals keep it incredibly entertaining. The animation is reminiscent of the work of Rankin and Bass, the duo most well-known for the 1969 Christmas special “Frosty the Snowman” and the animated fantasy “The Last Unicorn” from 1982. The noses of the characters are just shy of what I’d call “bulbous,” but there’s still a sense of naturalism in the facial structures that keeps the characters from seeming too fantastical or cartoony. It manages to strike a perfect balance between interesting, entertaining character designs and a realism that reminds us that the story is biographical. 

A scene from A MAGNIFICENT LIFE.
© 2025 What the Prod – Mediawan Kids & Family Cinéma – Bidibul Productions – Walking the Dog. Courtesy of Sony Pictures Classics.

The background visuals are also really beautiful. Much of the film is set in urban city centers, and the backgrounds manage to stay colorful, with some of the lines being just slightly messy, conveying an almost rustic and dirty feel. It’s similar to the xerography effect used in Disney’s “101 Dalmatians”. The outlines are a little mismatched, but in a way that enhances the urban setting, rather than seeming like cheap animation. Pagnol’s first studio in Paris is depicted with little knick-knacks, making it busy and slightly chaotic, but with a warm and inviting color palette. The overall look shows off a watercolor aesthetic that’s honestly a sheer delight to watch. I found myself drawn in, even when I wasn’t compelled by the characters. The animation style is a work of art, and that alone is worthy of praise.

I believe I can recommend “A Magnificent Life”. The story isn’t entirely there, so if that’s your sole purpose in seeing a movie, you might leave a little disappointed. While I put a lot of stock in the narrative, it’s not the only way for me to have a pleasant viewing experience.  And with the runtime coming in at just over 90 minutes, I can hardly complain. It’s entertaining enough to keep me engaged, but its real appeal lies in the stunning visuals. 

3.5/5 stars

Contact CU Independent Writer Kyrie Gneiting at kyrie.gneiting@colorado.edu

Kyrie Gneiting

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